Copland House as Fiscal Sponsor

We were elated to have worked with Copland House as our Fiscal Sponsor for several projects, which made everything so much easier!Molly Morkoski, MEME Ensemble

Copland House was a perfect match when I was looking for a Fiscal Sponsor for Portals, my full-length, multimedia production that included the commission of a large new violin piece by Philip Glass. It was great to have had Copland House along on this wonderful journey.Tim Fain

In furtherance of its mission to nurture and renew America’s musical heritage, Copland House is very pleased to serve as a not-for-profit Fiscal Sponsor. In this capacity, we assist a select number of composers and performers working on projects involving the creation, performance, or preservation of American music. Our Fiscal Sponsorships are intended to help artists realize their goals!

Since most funding is awarded to non-profit organizations, rather than to individuals, a Fiscal Sponsor (or conduit) can be an important vehicle to help encourage and stimulate donations for specified projects. As a Fiscal Sponsor, Copland House offers composers and performers the opportunity to apply to funders that limit their support to 501(c)3, tax-exempt organizations. In this role, we will accept contributions restricted for the selected project; provide financial oversight to ensure that these monies are used properly and as intended; and offer administrative and clerical support in processing, acknowledging, and reporting on donated funds.

Copland House’s Board of Trustees determines which projects are accepted for sponsorship. Each Copland House Fiscal Sponsorship is governed by a formal, written agreement that details all respective responsibilities, and enumerates the terms of this financial and legal relationship. Copland House assesses a modest administrative fee on all funds received for sponsored projects.

We welcome email or telephone inquiries about the suitability of projects for Fiscal Sponsorship. Initial inquiries should address the following questions:

  1. What is the exact nature of the proposed project and its planned activities?
  2. What are the goals of the planned project?
  3. Who are the participating artists?
  4. What is the prospective timetable for the project?
  5. What is the estimated project budget?
  6. From which sources is it anticipated that funds will be raised?
  7. Provide examples of other successfully-executed projects.

Should Copland House wish to consider sponsoring a project, we will then ask for more detailed information and work samples. We are eager to hear about project plans, and to explore ways that we may be able to assist in realizing them.

Featured Sponsored Project

Derek Bermel, Golden Motors

Golden Motors is a full-length music theatre piece set in 1980s Detroit. At the heart of the drama, a tight-knit African-American family clings to its lifelong dreams, even as the city's auto industry collapses. Long-time collaborators Wendy S. Walters (book and lyrics) and Derek Bermel (music), seen here with their cast and creative team, relate a compelling original story about the challenges facing a working-class family amidst the city's declining economy. This is a uniquely American tale of love and despair, violence and reconciliation, inaction and heroism in an era of swiftly changing rules and expectations. Tracing one family's challenges to reclaim what remains of their future, Golden Motors has continued relevance and resonance in today's world.

Give Generously

All Copland House programs depend on the annual tax-deductible contributions of individual, institutional, and corporate supporters around the country and the world. Become one of our Friends of Copland House. Donations at all levels are welcome, and we hope you will give as generously as you can.

Monday, February 3 at 7:30 PM


Mystical journeys – real, imagined, and spiritual. New York Premieres of works by Flannery Cunningham, Sebastian Currier, and Kevin Puts.

The Graduate Center, CUNY
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in BOOKS /

Copland: Through 1942

This American classic includes Copland's first-person recollections, Vivian Perlis' vivid commentary, and ...